<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>nappyafro.com &#187; Sa-Ra</title>
	<atom:link href="http://www.nappyafro.com/tag/sa-ra/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.nappyafro.com</link>
	<description></description>
	<lastBuildDate>Sat, 20 Mar 2010 12:52:38 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>iPod Hustle: Fabolous, Sa-Ra, &amp; G-Unit</title>
		<link>http://www.nappyafro.com/2009/10/16/ipod-hustle-fabolous-sa-ra-g-unit/</link>
		<comments>http://www.nappyafro.com/2009/10/16/ipod-hustle-fabolous-sa-ra-g-unit/#comments</comments>
		<pubDate>Fri, 16 Oct 2009 13:44:49 +0000</pubDate>
		<dc:creator>B-Easy</dc:creator>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[iPod Hustle]]></category>
		<category><![CDATA[Automatoc Gunfire]]></category>
		<category><![CDATA[Fabolous]]></category>
		<category><![CDATA[G-Unit]]></category>
		<category><![CDATA[Sa-Ra]]></category>
		<category><![CDATA[The Hollywood Recordings]]></category>
		<category><![CDATA[There Is No Competition]]></category>

		<guid isPermaLink="false">http://www.nappyafro.com/?p=8684</guid>
		<description><![CDATA[
It’s been a while since I actually did an iPod Hustle column that was totally random. Just three songs off my iPod that really have no connection but were good listens nonetheless. In this edition, we check out some 2008 F-A-B-O, a smooth cut from Sa-Ra Creative Partners, and get Automatic Gunfire from G-Unit. Set [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-8685" title="fabolous-ipod-hustle-front" src="http://www.nappyafro.com/wp-content/uploads/2009/10/fabolous-ipod-hustle-front.jpg" alt="fabolous-ipod-hustle-front" width="290" height="235" /></p>
<p>It’s been a while since I actually did an <a href="http://www.nappyafro.com/category/column/ipod-hustle-column/">iPod Hustle column</a> that was totally random. Just three songs off my iPod that really have no connection but were good listens nonetheless. In this edition, we check out some 2008 F-A-B-O, a smooth cut from<span id="more-8684"></span> Sa-Ra Creative Partners, and get <em>Automatic Gunfire</em> from G-Unit. Set your iPods to Hustle please…</p>
<p align="left">
<p align="left">
<p align="left">
<p align="left">
<p align="left">
<p align="left">
<p align="left">
<p align="left">
<p><strong><span style="font-size: medium;"><span style="color: #ff0000;">Download:</span> <a href="http://usershare.net/nnb5cprfvply">Fabolous – “Fall Back”</a></span></strong><br />
<span style="font-size: x-small;"><strong>Mixtape:</strong> <em>There Is No Competition</em> [2008]</span><br />
I’m sure I’ve already written somewhere about how the Fabolous &amp; DJ Drama mixtape, <em>There Is No Competition</em>, was way too slept on for how good it was. It definitely was one of the best mixtapes put out in ’08. One gem off there was “Fall Back”. It’s filled with the slick wordplay that made Hip-Hop take notice of Fab in the first place; <em>“You gonna make put ya in a headline/And your girl gonna help me come up with a head line/The suck game while I&#8217;m driving is a fool/She know it’s head first like she diving in a pool/Right stroke, left stroke was the best stroke/Bitch blow whistle like she got a ref’s throat/Foul, and I&#8217;m so flagrant”</em> Fall back.</p>
<p><strong><span style="font-size: medium;"><span style="color: #ff0000;">Download:</span> <a href="http://usershare.net/aub88a8v477j">Sa-Ra feat. Ty (of Ty &amp; Kory) – “And If”</a></span></strong><br />
<span style="font-size: x-small;"><strong>Album:</strong> <em>The Hollywood Recordings</em> [2007]</span><br />
If you like me, your “Get Busy In The Bedroom” playlist on your iPod is probably devoid of any Hip-Hop. Do you really want to explain to your girl why you were trying you get it poppin’ to Plies’ “Plenty Money”? One of those instances where rhymes and sexy time mix well is Sa-Ra’s “And If” featuring Ty. It sounds like something PM Dawn would have made had their heyday been in 2007. The smoothness of this track is crazy…and it is a fixture on my “Lay It Down” playlist. What? Too much info?</p>
<p><strong><span style="font-size: medium;"><span style="color: #ff0000;">Download:</span> <a href="http://usershare.net/ooxis32if9xc">G-Unit – “Bang Bang”</a></span></strong><br />
<span style="font-size: x-small;"><strong>Mixtape: </strong><em>Automatic Gunfire (G-Unit Part 4)</em> [2002]</span><br />
I know 50 just got a release date set for his next album <em>Before I Self Destruct</em> (Nov. 23rd), but I&#8217;d be lying if I said I was “highly anticipating” it. It wasn’t always like this though. Case in point, in 2002, 50 Cent (with Lloyd Banks &amp; Tony Yayo) released one of my favorite G-Unit songs of all time; “Bang Bang”. From Curtis’ calling Irv Gotta a “fat cupcake eating motherfucker” in the intro to him calling Ja Rule a “Stuart Little looking motherfucker” in the outro, this track goes hard all the way through. And what’s crazy, it’s not really a diss song aimed at Murder Inc. It does show just how well the charter members of G-Unit flowed together; <em>50 Cent: “Bang bang from big heaters/Hundred dollar sneakers/Two seaters, two meters”</em>/<em>Lloyd Banks: “And a bundle of haze/At least enough to last fourteen days/Eat where they sell lobster/My eyes slanted like Pharrell’s partner”</em>/<em>Tony Yayo: “Nigga respect me like you father when it come to drama/I put the lima to you momma and beat her like a piñata”</em></p>
]]></content:encoded>
			<wfw:commentRss>http://www.nappyafro.com/2009/10/16/ipod-hustle-fabolous-sa-ra-g-unit/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Sa-Ra&#124;The Hollywood Recordings</title>
		<link>http://www.nappyafro.com/2007/04/26/sa-rathe-hollywood-recordings-by-b-easy/</link>
		<comments>http://www.nappyafro.com/2007/04/26/sa-rathe-hollywood-recordings-by-b-easy/#comments</comments>
		<pubDate>Thu, 26 Apr 2007 16:05:04 +0000</pubDate>
		<dc:creator>B-Easy</dc:creator>
				<category><![CDATA[2.5 Stars]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Sa-Ra]]></category>
		<category><![CDATA[The Hollywood Recordings]]></category>

		<guid isPermaLink="false">http://www.nappyafro.com/update/?p=199</guid>
		<description><![CDATA[
Sa-Ra (or Sa-Ra Creative Partners) is a Hip-Hop/R&#38;B group based out of LA. I really never heard any of Sa-Ra’s music (Their name is pronounced “Sah-Rah” by the way), but I think I read something about them in XXL or King magazine once. Even though they are relatively unknown, they seem to have some industry [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.nappyafro.com/update/wp-content/uploads/2008/03/thehollywoodrecordingscover.jpg" alt="thehollywoodrecordingscover.jpg" /></p>
<p>Sa-Ra (or Sa-Ra Creative Partners) is a Hip-Hop/R&amp;B group based out of LA. I really never heard any of Sa-Ra’s music (Their name is pronounced “Sah-Rah” by the way), but I think I read something about them in <em>XXL</em> or <em>King</em> magazine once. Even though<span id="more-199"></span> they are relatively unknown, they seem to have some industry buzz (I recently started seeing ads for their new album). The members &amp; founders (Om&#8217;Mas Keith, Shafiq Husayn &amp; Taz Arnold) formed in the late 90’s from a trio of industry producers, musicians, and executives who had diligently worked in a multitude of high-profile music productions and business ventures prior to the group&#8217;s inception. They’d previously been signed to Kanye West&#8217;s GOOD Music label, where they planned to release their debut full-length LP, reportedly entitled <em>Black Fuzz</em>. That deal fell through and since then they have signed a deal with independent label Babygrande. If I had to describe their sound, I guess I could say it this way: vintage sound with Hip-Hop and R&amp;B inspiration, add in some Parliament, a pinch of Neptunes, maybe a dash of Andre 3000 among others things. Even after saying all that, it still doesn’t fully describe their sound. We hear a lot of their distinct music on their full length debut, The <em>Hollywood Recordings</em>.</p>
<p>To say Sa-Ra’s sound is different is an understatement. I wouldn’t say I never heard anything like it, it just not what I used to hearing lately. The intro to the album, “<strong>Seagulls</strong>”, sounds as if it could be  taken from a neo-soul act like Musiq or Dwele. Not bad, but I guess I expected  something more. “<strong>Hey Love</strong>” is a laid back love song that not you average “Oh baby, I wanna sex you” type. If you like Andre 3000’s “Prototype”, you probably like this one (it has that Earth, Wind &amp; Fire feel too). Up next, “<strong>Glorious</strong>”, isn’t as strong as it predecessor, but you can tolerate it as background music. It doesn’t grab you, but it’s not terrible. “<strong>So Special</strong>”, features singer Rozzi Daime who can delivers a good performance as lead. The song is average but not my cup of tea; it sounds too Brand New Heavies for me. Rozzi Daime also shows up on the experimental “<strong>Tracy</strong>”.  I definitely wasn’t felling this song either with is terrible Kelis knock off. My  favorite song on the album by far is “<strong>And  If</strong>” featuring Ty Of Ty &amp; Kory. It has rapping on it but it’s still something I’d play for my girl to get open too. It’s not too hard, but not to soft that you wouldn’t listen to it by yourself and feel like a punk. Ty Of Ty &amp; Kory show up again on “<strong>Do Me Gurl</strong>”.  It has a Neptunes feel, but I can’t say it sounds copied. All in all, it’s a  simple okay song “<strong>Rosebuds</strong>” is another song I would classify under background music. This song is the reason I compare their sound to Parliament; it had distorted voices talking throughout with occasional harmonizing. I wasn’t feeling it that much but I can see how someone would. “<strong>Feel The Bass</strong>” features Talib Kweli getting his planet rock on to good results. It’s a straight Hip-Hop song and makes you remember the golden age with is Bambaattaa like disco beat. Sa-Ra continues the rapper trend next with “<strong>Not On Our Level</strong>” featuring Capone-N-Noreaga. I don’t know when this song was recorded because its sound kinda dated. The song is an average rap song and Sa-Ra playing the background like regular boardsmen. Kurupt is featured on “<strong>Lean On Me</strong>” but sounds out of place when he talks about “murdering your mother”. The song sounds like something you might hear on a Snoop Dogg compilation; I personally skip shit like that at all cost. Pharoahe Monch turns a great performance on “<strong>Fish Fillet</strong>”,  but other than that it’s nothing to stop for either. J. Dilla fans will enjoy  his posthumous verse on “<strong>Thrilla</strong>” ,  but the build up of the song isn’t as good as the actual execution. “<strong>White! (On The Floor)</strong>” may be a metaphor for fucking white girls you see in the club, but I couldn’t tell because I didn’t waste my time after listening to half of it; skip this one people. The song “<strong>Bitch</strong>” (Good name huh?) was okay. The song talks about not wanting to wife a girl, but still wanting her to be your bitch. I guess I could try to understand that, but when I heard a lyric about “making love on a Saturn ring”, that was it for me. “<strong>Ladies Sing</strong>” sounded like something I already heard earlier in the album, but the hook is memorable. Sa-Ra really gets its R&amp;B on when Bilal shows up for “<strong>Sweet Sour You</strong>” If you were expecting a “Soul Sista” sequel, you might want to skip this one; it’s get kinda ugly (and sad). Erykah Badu comes out of hiding to be featured on “<strong>Fly Away</strong>”. The combination of her and  Sa-Ra don’t deliver a classic, but they stay true to each other’s sound. Not  bad, not great. “<strong>Hollywood</strong><strong> (Redux</strong>)” has a lot of instrumentation and was okay. It sound as if I was at a concert of some experimental jazz, but it wasn’t terrible at all. I wouldn’t put it on my iPod, but I appreciate the effort.</p>
<p><font color="#ff0000"><strong><span class="style32">Bottom Line:</span></strong></font><br />
After the smoke cleared, I probably kept like two songs after I finished listening to this album. It’s not that the album is garbage, more like a little over my head. Maybe on second listen I may get more into this one, maybe not. I like that they were trying new shit out, but personally, most of the music didn’t speak to me (I’ll give them extra points on creativity though). Even though this album didn&#8217;t blow me away, I can still see the talent. I would only recommend this album to those who want to hear something outside the norm.</p>
<p><strong>nappy Picks: </strong>&#8220;And If&#8221; &amp; &#8220;Feel The Bass&#8221;</p>
<p><strong><span class="style35">Download:</span> <span class="style25"><a href="http://www.zshare.net/audio/and-if-feat-ty-of-ty-kory-mp3.html">Sa-Ra feat. Ty Of Ty &amp; Kory &#8211; &#8220;And If&#8221;</a></span></strong></p>
<p><img src="http://www.nappyafro.com/update/wp-content/uploads/2008/03/thescore1.jpg" alt="thescore1.jpg" /><img src="http://www.nappyafro.com/update/wp-content/uploads/2008/03/21halfstars.jpg" alt="21halfstars.jpg" /></p>
]]></content:encoded>
			<wfw:commentRss>http://www.nappyafro.com/2007/04/26/sa-rathe-hollywood-recordings-by-b-easy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
