For some reason Donny Goines has never been featured on nappyafro. We’ve talk to the brother, had interviews set up and something always fell through. Well that’s changing now with this; his official second album The Breakfast Club (Which is free!). The album features production work by Statik Selektah, Dame Grease, & Cookin’ Soul as well as Termonology, Skyzoo, Emilio Rojas on the rap side of things. Check out the tracklist and then download the album.

1. Don’t You Prod. by Cook Classics
2. Bring It Forward (New York, New York) Prod. by Versatile
3. Whatever It Is (Feat. Mela Machinko) Prod. by Frequency
4. Money (Feat. Mistah F.A.B) Prod. by DJ Static
5. Don’t Mess with a Woman (Feat. Amanda Diva & Naledge) Prod. by Dub Z
6. Sublime (Feat. Peter Hadar & Outasight) Prod. by Buckwild
7. She Like (Feat. Che Grand & Izza Kizza) Prod. by Apple Juice Kid
8. Make Me Feel (Feat. Emilio Rojas) Prod. by Kwame
9. Oh No (Feat. Patent Pending) Prod. by The Goverment
10. What U Expected Remix (Feat. Rain, Termanology, Reks & Big Lou) Prod. by Statik Selektah
11. A Love Song (Feat. Lydia Caesar & Skyzoo) Prod. by Digga
12. Closer Prod. by Dame Grease
13. Digital Genocide (Feat. Planet Asia & Poison Pen) Prod. by DJ Snips
14. Grateful (Feat. Tanya Morgan & Jeremy Carr) Prod. by Cookin Soul
15. Party Apple Prod. by Apple Juice Kid
16. Can’t Get it Right (Feat. A.Pinks, Esso & 6th Sense) Prod. by 6th Sense
17. These Times Prod. by Dub Z

Download: Donny Goines – The Breakfast Club

Ok, I’ll confess. I didn’t really listen to Reks. I’ve actually gotten into him more lately, due to just being him, getting that Statik Selektah album, and listening to the Grey Hairs album got me into his vibe. From what I see as Reks, he’s just a true underground artist. His wordplay is quite intricate, although easy to swallow. Anyways, he’s releasing his sequel to Grey Hairs, More Grey Hairs, which I can assume to be more of the same that he’s given us before. With open ears, More Grey Hairs (Note: Shout out to Chew who originally posted this in the forums – B-Easy)

Bitter
Produced by Soul Searchers
Luckily, they tell us the producers of this album, because I gotta look out for these guys. Reks starts off in a way Grey HAirs should start off, a grumpy man, who’s just trying to express himself in the rap game. The Soul Searchers really give a jazzy/soulful (no pun) production to Reks, as he explains issues that make him bitter, ranging from Africa, to even his family. The production is simple, yet it’s majestic how Reks flows in this song. Great start.

Play My Music
Produced by Statik Selektah
I’ve always liked Statik Selektah the moment I’ve heard of him. He’s just an underground producer (for now) who’s just trying to get into fame. Anyways, a simple piano chord, and some drum beats kick off this simple production. Rek’s starts to talk about how his music and the mainstream (Example; Wayne’s music) is so much different, and how he and other underground stars (Termanology, Sheek Louch, Prodigy, Joell Ortiz, Skyzoo, etc.) deserve to be accepted into the mainstream, and people should, of course, play their music. Nice track, although a bit simple.

Cloud 9
Produced by DJ Premier
How can anyone go wrong with a legend’s track? Rek’s again spits great fire here, on a really mystifying production that seems so simple, but it really does personify this track, and even relates to the track itself. Reks spits lyrics that just talk about how he’s in “Cloud 9″, I assume it to be whimsical, out of this world. Reks + DJ Premier is a great combination, and this production is one of my favorites so far. Great track. You have to really listen to it to even stomach it.

Stereotypes
Produced by 1914 & Statik Selektah
As the title of the track goes, Reks talks about stereotypes, although I only really heard specific ones about blacks and whites (where’s the Asians?) Well, the production relies on simple drums, and some vocals. The production is a bit lack-luster compared to the others ones, but still doesn’t disappoint. I find this song, although Reks is trying to make a point as usual, a bit boring and bland. Again, that’s just my opinion, but this song is probably the worst of all so far.

Killaz On Wax
Produced by Statik Selektah
Interesting title (Along with the funky, bass production from Statik Selektah). Where’s his producer drop? I like that woman saying, “Statik Selektah”, similar to the J.U.S.T.I.C.E League’s intro. Interesting premise here, as Reks raps about gangsters, and how they’re not real compared to his people. Maybe clichéd, but I found his word play in the song to be really interesting, and intricate. Much better than “Stereotypes”. The hook is also a nice addition to the song.

System
Produced by DJ GI Joe.
Funny producer name, and as Reks says, this production is the real Hip-Hop stuff, as GI Joe gives a good drum beat, with some trumpets to back it up. Reks starts to rap about his “system” which I assume is his lifestyle, and how he lives, what he represents to the people. It’s a bit unclear to me, but I assume he talks about himself, describing his area where he lives, and his lifestyle in general. Nice song, and I love the production in this song.

Year Of The Showoff
Produced by Statik Selektah
This song is straight fire. As Reks says in the beginning, Statik Selektah wanted to make a banger, and this suffices. Reks goes on his braggadocious mode, and raps about how he’s the “Year of the Showoff”. Already used as an idea, and a bit cliché, still, Reks does his job. But the thing I found even better was Selektah’s production. At first, it reminded me of a Wild West vibe, the cowboy rises up in the distance, badass and all. The production is really nice, and sums up the song in general. A banger that you don’t have to feel conceited about.

Money In The Ave (remix)
Featuring Termanology & Skyzoo; Produced by Soul Theory
The first song with a feature in it, a trio of rappers I’ve seen before (They teamed up on “Bars 4 The Stars” off Termanology’s If Heaven Was a Mile Away/J Dilla Tribute) It’s a nice song, the production being soulful (Yeah, I know) while the rappers rap about money in their avenues, and money really in general. The rhymes aren’t fresh, but their good enough for the song. A bit of a filler I have to say though. I like it better than “Stereotypes”.

Dear Winter
Produced by Timeless
That’s one badass producer name. We’re now back to the real album with “Dear Winter”. It’s a nice track in general. Winter, as it symbolizes to Reks is life’s sufferings, problems, and his declaration to it. It’s an unoriginal interpretation of winter, calling it cold to him. But the soulful production by Timeless, is sincere, and charming in general. Reks just simultaneously stacks up bars on bars in this song. Great song, for both lyrics and production

Goodnight & Goodluck
Produced by Demo
As Reks makes a song for the ladies, he simplifies down on his lyrics a little bit, but the production is quite soulful again. The production and how Reks puts up his lyrics aren’t mean as brash and ignorant, I felt that Reks was really sincere on how he really put up these words. Although the woman should’ve sang better, Reks sincere lyrics tell a story about how a man has to leave a woman, and their relationship isn’t working, and how they have to leave on good ways, as the song is called. Nice song.

Why Do We Say Goodbye
Produced by Statik Selektah
I think Statik Selektah pulls in a sample here, but I can’t name it. Reks really has a thing for these kinds of songs, doesn’t he? Again, the production doesn’t disappoint, one of my favorites in the album, in a slow drum beat, a high pitched sample, an other instruments. Reks raps about how he’s on the top of the life, how his life is really good right now, but all good things have to come to an end, even though he doesn’t want to. Reks doesn’t disappoint again, nor does Statik.

I Ain’t Shit
Produced by J. Creed
This song does take a huge downfall from his previous songs. Of course, “I Ain’t Shit” is really just trying to make Reks a real person. The production although soulful is a bit boring, simple, and doesn’t’ really appeal to me. This song although is a nice thing to show Reks as real (Even though he is already) it’s not as good as the other songs on the album. Filler, probably. And that hook is a bit nasty.

Light Of Mine
Prod. DJ Sprino
Any production that starts out with trumpets, and then goes into drums is a top notch one for me. A rebound (not a big, but one) from the last song is nice as Reks soon raps about the light in life, as he is the one, and how he found the light that showed him reality. The production brings back his mediocre song before. I don’t like Reks hooks all the time, unfortunately, and fortunately, Reks makes his hooks short, has other people singing them, or doesn’t have them’ at all. At least he doesn’t sing.

Til’ Ya Hair Turns Grey
Produced by DJ Sprino
The track does start slow; the track does turn into a faster paced one. I find Sprinos production a bit weird on this one, It didn’t really fit because it doesn’t suit the track in general. That doesn’t mean the production is bad, it just means that it’s not as good as we can really expect it to be. Again, Reks doesn’t disappoints in his songs, as of course, he talks about working, stressing, your life, until your hair turns gray, and how it would turn gray. Just story telling a bit from him. I find this to be a peculiar outro though.

Bottom Line:
Reks definitely proves to me that he’s a beast to be reckoned with in the real rappers’ circuit. Reks puts up a solid album, with barely (actually really none, since remixes aren’t really songs) any guests, and still shows he can make a solid album without having guest verses. He brings simple, soulful, yet meaningful production into his works, which really make him shine. Although he had a few trips on the album, most of the songs do have a great meaning, and Reks is quite sincere about this. Good album in general

Chew’s Picks: “Bitter”, “Cloud 9”, “Year Of The Showoff”, “System”, “Dear Winter”, “Goodnight & Goodluck”, & “Play My Music”

Download: Reks – “Cloud 9″

Back in June of this year I brought Statik Selektah to nappyafro in the form of a Rewind Review of his debut release album Statik Selektah Presents Spell My Name Right (The Album). Being the underground Hip Hop head that I am, I was anticipating this album along with Termanology’s album Politics As Usual last month, especially after seeing the video for the song “To The Top (Stick To The Script)”. Now one month and one release later, Statik Selektah delivers his sophomore album entitled Stick 2 The Script. Immediately after reading the title you get the idea that Statik Selektah decided to stick with the same formula of boom-bap beats and lyrical assassins that he blessed us with on his debut. Some people say if it ain’t broke, don’t fix it, so lets see if this formula worked for Statik the second time around.

1. Stick 2 The Script (Intro)
Produced by Statik Selektah
This is your basic intro track with Statik Selektah picking up right where he left off on his debut album. Statik produces a piano driven beat letting the listeners know that he’s back for a second round and that they should be prepared for nothing less than the best.

2. To The Top (Stick 2 The Script)
Featuring Cassidy, Saigon, & Termanology; Produced by Statik Selektah
The album kicks right off in a major way with the first released single off the project. Statik Selektah delivers some great sounding production on this track for Cassidy, Saigon, and Termanology to spit some hard rhymes over. All three emcees attack the mic with force but Cassidy shows that he hasn’t lost a step with his punchline heavy verse that steals the show. Check out the Rik Cordero video for this song, it’s amazing as he directs it Reservoir Dog style. Rik Cordero is that dude!!!

3. For The City
Featuring M.O.P. & Jadakiss; Produced by Statik Selektah
Statik Selektah takes us back on this track with a hard-hitting beat equipped with the New Jack City sampled acapella. M.O.P. and Jadakiss bless this track with some nicely delivered rhymes. M.O.P. get down for the crown on this song as Jada takes a more casual approach with his verse. Statik Selektah adds some scratching at the end to complete the track.

4. Get Out The Way
Featuring Bun B & Cory Mo; Produced by Statik Selektah
On this track Statik Selektah decides to take us down to the South in Texas to hook up with the legendary Bun B and his partner Cory Mo. Statik produces a beat that somewhat fits the Texas natives, but it seems a little lacking (maybe the oriental sounds). Both emcees drop some nice verses that support the beat and make this track listenable to an extent.

5. All 2gether Now
Featuring Freeway, Peedi Crakk, & Young Chris; Produced by Statik Selektah
This is a track that a lot of people have been waiting for a while to hear. A State Property reunion track (sort of) with original members Freeway, Peedi Crack, and Young Chris. Statik Selektah delivers some menacing production on this track for the emcee to get down on. No emcee really outdoes another on this song but Freeway definitely brought some energy to the track with his flow and delivery. It was good to hear State Property back on a track together, but now we need a full reunion (where’s Beanie Mack at???)

6. Interlude
Featuring Q-Tip; Produced by Statik Selektah
This interlude track features Q-Tip doing his best Busta Rhymes impersonation as he gives a shout to Statik Selektah over a dope produced beat by Statik Selektah. With such a good beat I would have enjoyed hearing Q-Tip spit some rhymes over it but we just get a drop instead.

7. Church
Featuring Termanology; Produced by Statik Selektah
Statik Selektah hooks up a soulful vibe on this track as his production lays the backdrop for Termanology to spit his signature rhymes over. Fresh off his debut album release, Termanology shows you why he’s one of the best upcoming rappers in the industry today. I swear Termanology has some crazy punchlines (“Shorty opened her legs, it smelled like Chinatown”)…wow for real?!!!??.

8. Talkin’ Bout You (Ladies)
Featuring Skyzoo, Joell Ortiz, & Talib Kweli; Produced by Statik Selektah
I thought the previous track was soulful, but this one completely blows it out of the water. Statik Selektah borrows a page from 9th Wonder (I heard 9th use the same sample on one of his beats a while back) and produces a soul filled beat for the Brooklyn Connection (Skyzoo, Joell Ortiz, and Talib Kweli) to talk about the ladies on. This is a real soulful track that you can just sit back and groove to while thinking about the ladies.

9. On The Marquee
Featuring Little Brother, Joe Scudda, & Chaundon; Produced by Statik Selektah
From NY we take it down to NC as Statik Selektah hooks up with Little Brother, Joe Scudda, and Chaudon. Statik Selektah really has a soul vibe going as he produces yet another soul filled beat for these emcees to drop lyrics on. This beat sounds like a perfect fit for Little Brother as Phonte does some great singing on the chorus. How could you not enjoy music like this…we need more of this in Hip Hop seriously!!!

10. Mr. Popularity
Featuring Consequence; Produced by Statik Selektah
Talk about a dark, menacing beat, Statik Selektah produces an ominous one for Consequence to deliver some great rhymes over. This song is the 2nd single off the album and it’s a good choice, as Consequence speaks much about 2Pac and his death as well as the lifestyle of somebody popular.

11. Interlude
Featuring The Madd Rapper
On this interlude track we see the return of The Madd Rapper as he tries to give a drop for Statik Selektah on his album but can’t quite seem to get his name right (“Frantic Inspector”…”Inspector Gadget”…”Static Cling”). I guess Madd Rapper should have listened to the debut album and learned how to spell his name right as well as say it right. Funny shit on this interlude.

12. This Is It (Showoff Remix)
Featuring D-Dot, Redman, & Black Rob; Produced by Statik Selektah
Statik Selektah delivers some very nice production on this track that sees D-Dot, Redman, and Black Rob spitting some rhymes over it. Redman sounds real hungry on this track spitting some good rhymes and it’s good to hear Black Rob back in the mix of things.

13. So Good (Live From The Bar)
Featuring Naledge, Reks, & CL Smooth; Produced by Statik Selektah
Statik Selektah comes right back on this track with some lively production equipped with the horns as Naledge, Reks, and CL Smooth all get down on the track. Reks and CL Smooth deliver some really good rhymes on the track, but Naledge steals the show with his free flowing verse. As always it was good to hear a Hip-Hop legend like CL Smooth dropping some rhymes.

14. Streets Of M.A.
Featuring Masspike Miles, Termanology, Reks, Slaine, & More; Produced by Statik Selektah
This is Statik Selektah’s track dedicated to his home Massachusetts along with the rappers that rep MA as well. Statik Selektah produces an average beat on this track with each emcee spitting a nice verse, but I don’t really think the singing on the chorus fits well with the song.

15. Sounds Of The Street (Interlude)
Featuring JFK; Produced by Statik Selektah
Statik Selektah produces an interesting sounding beat on this interlude track by building the beat off various sounds heard on the street. It’s a pretty unique beat in it’s own right as JFK spits a short verse about not only being a rapper in the game, but also a fan of the game.

16. Destined To Shine
Featuring Torae, Sha Stimuli, & Jon Hope; Produced by Statik Selektah
This track comes on with a bang as Statik Selektah produces a very epic sounding beat that nicely accompanies the rhymes from Torae, Sha Stimuli, and Jon Hope. Each emcee spits lines about being destined to shine and patiently waiting for that time to arrive.

17. Cali Nights
Featuring Glasses Malone, Mistah Fab, & Novel; Produced by Statik Selektah
Statik has taken us from the East Coast to the South and now we travel across country to the West Coast for a stop in Cali. The beat produced by Statik Selektah on this track is such a smooth track that it’s easy to see why the Cali emcees fit so well over it. Glasses Malone and Mistah Fab drop some good rhymes over the track while Novel makes it complete with his singing on the chorus.

18. Take It All Back
Featuring Reks, Ea$y Money, Royce Da 5’9”, & Paula Campbell; Produced by Statik Selektah
To finish off the album Statik Selektah produces a beat that has a reminiscing vibe to it that allows the emcees time to think back and recall. It was kind of surprising hearing Royce Da 5’9” on the track but he finds his fit and makes it work. The singing by Paula Campbell on the song is a real nice addition and a great way to end off the album.

Bottom Line:
At 18 total tracks, Statik Selektah provides the listeners with more than enough material to satisfy their listening crave for some real Hip-Hop music. In listening to the entire album you won’t really find a weak or bad track out of the bunch and after listening to Statik’s debut album Statik Selektah Presents Spell My Name Right (The Album) you can see that he has improved on some things while being able to keep the formula the same. Statik Selektah is really showing why he has become one of the best, underrated music producers in the game with the gems that he produced on this album. Like other compilation albums done by producers, he also showed that he has a knack for matching the right artists with the right track. If you haven’t heard of Statik Selektah or taken the time to listen to his debut album or various mixapes, then you should start with this album and introduce yourself to a great producer (then go back and listen to his previous releases). You won’t be disappointed by what Statik Selektah provides and hopefully you start to realize how much better underground Hip Hop is and has been for a long time.

nappyPicks: “To The Top (Stick 2 The Script)”, “On The Marquee”, “Talkin’ Bout You (Ladies)”, “Destined To Shine”, “Cali Nights”, “Take It All Back”, “This Is It (Showoff Remix)”, & “Mr. Popularity”

Download: Statik Selektah feat. Skyzoo, Joell Ortiz, & Talib Kweli – “Talkin’ Bout You (Ladies)”

It’s been over a month since I last dropped a review (Deified by Keak Da Sneak), but SBK is back in the building back at the ‘fro. Since my time away in dealing with summer hell aka Summer School, I’ve been keeping an eye up on nappyafro and an ear out on the music. Being the Hip-Hop head that I am, I’m an active listener of the underground scene far more than the commercial bullshit that’s released. I almost let this release slip by me, but thanks to a good friend that put me on to it (Props to King Jerm), I was introduced to one of my new favorite albums this year. This is a bold statement, but if I were up to me this would be a top contender for album of the year for 2008 (calm down C3 fans and Untitled/N.I.G.G.E.R. enthusiast). I’m going to explain to you very clearly why Reks has one of the best albums of ’08 in Grey Hairs for both underground and mainstream.

Grey Hairs
Produced by Blaze P
The album is announced with Reks and his son Isiah giving us a proper introduction before the nicely laced beat by Blaze P kicks in. Blaze P does this track correctly with a beat that makes you take notice and has a “Now introduction” feel to it. Reks proceeds to drop rhymes explaining the title of the album and how it applies to getting older and gaining knowledge. This is a great way to start off the album and has my attention for the rest to come.

The One
Produced by Statik Selektah
The opening statement on this song is perfectly placed, as “This is not a song for the radio”. Statik Selektah (who produces a majority of the album) does a nice job on the beat for Reks who in turn drops some vicious, hard hitting rhymes on top of it. While this song could have some commercial appeal to it, mainstream wouldn’t be ready or capable of understanding the depth of this track and Reks’ lyrics.

Say Goodnight
Produced by DJ Premier
This beat produced by the legendary DJ Premier is the first single for the album and makes a statement upon the first listen. While DJ Premier is one of the greatest (if not the greatest) producers of all-time and I’m one of his biggest fans, I must admit that this beat is not one of his best. The beat does its job though in providing a classic boom-bap backdrop for Reks to get loose on and drop some nice rhymes. This song is perfect for the current state of the rap game with the classic 90’s Hip-Hop feel that it has.

How Can It Be
Produced by Statik Selektah
I’ve heard that this is the second single for the album and it’s definitely a nice selection. Statik Selektah produces a wonderful beat with a sample filled with various synths included. Reks is able to do his thing and drop some nice lyrics within. I love the DJ Premier technique that Statik incorporates on the chorus with the scratched vocal samples.

Stages
Produced by Large Professor
Just when you thought it couldn’t get any better, the album is taken up another level with this track. Large Professor laces this track very nicely with a beat that compliments Reks’ rhymes. Reks does his thing in talking about the rap game in 3 different stages (past, present, and future) and how it has changed. The Nas scratched vocals on the chorus make the song that much better. This is one of my favorite tracks on the album so far.

All In One (5 Mics)
Featuring Lil’ Fame; Produced by Blaze P
This is one of the most creative songs I have heard in a while with its concept of Reks rapping the styles of 2Pac, The Notorious B.I.G., Big Pun, and Big L. Blaze P really makes this track come alive (no pun intended) with his hectic, lively beat pounding in the background. While this is a clever track, Reks doesn’t exactly hit the mark on all of the verses representing the deceased legends of the rap game. His verses of 2Pac and Big Pun are on point and give you the spirit of hearing them actually rapping on the track. His verses of Biggie and Big L aren’t directly on and could have been done a bit better. I think this track would have been even better if he had other artists featured on it that could match the individual styles even better like Termanology for Big Pun and so on. But overall this is still a vicious track and most creative one I’ve heard since Lil Wayne’s “Dr. Carter” in terms of concept and theme.

Next 2 Me
Produced by DC The Midi Alien
DC The Midi Alien, who used to frequently collaborate with Termanology, provides a nice beat to Reks for this track. The pulsating beat in the background fits well with Reks’ lyrics as he talks about how many rappers in the industry don’t have enough skills to stand next to him and be compared to him as an emcee. This is an average track at best and it brings down the intensity level of the album following the previous track.

Money On The Ave
Featuring Skyzoo; Produced by Soul Theory
This soulful based track, produced by Soul Theory, provides a nice mood to the rhymes spit by Reks and Skyzoo. They both tell about how artists are no longer making money in the music industry and how the real money is being made on the block and on the corner selling drugs. This song is great for the truth and reality that is presented in the lyrics.

Black Cream (The Negro Epidemic)
Featuring Big Shug; Produced by Statik Seletkah
This is a concept track as it’s best with Reks speaking more truth from inside of the booth. The cleverly titled track “Black Cream” talks about how Blacks are carelessly spending their money and how money is the epidemic facing African-Americans. The chorus on this song is superb and speaks just as well as the rhymes in the verse (“From chains to whips, to chains and whips/Hopped off the slave ships and into fly kicks”). This song is presented in a similar vein of the tracks on Nas’ recently released Untitled/N.I.G.G.E.R. album. These are the type of songs that need to be released more often as they truly speak on many of the issues and problems that Blacks are facing in America. (Check out Black In America on CNN, it’s some real talk for your ears. It’s a shame though that we see a show speaking on the problems facing Blacks in America on CNN, but not on a Black network like BET…WTF is really going on!? I guess 106 & Park and Hell Date are more important and pay the bills. That’s fucked up!)

Love Sweet Misery
Produced by Statik Seletkah
Statik Seletkah channels the same vibe that he had on the previous song in producing another gloomy sampled beat that fits nicely with Reks. I never realized how nice of a producer Statik Selektah really is. He’s gotta be one of the best upcoming producers in the game especially on the underground scene. Reks does a nice job in giving his explanation of love and how it’s somehow connected to misery in most cases.

Rise
Produced by Statik Selektah
This is another nicely produced beat by Statik Selektah, who provides another mild mood beat for Reks to drop some furious rhymes on top of. Reks really shows why he’s one of the nicest upcoming emcees in the game today in talking about rising above the obstacles and oppositions that we face in life. Reks really makes listeners take notice with lines like “Bumped into shorty bopping down the ave nearly half my size/Chain dangling Jesus piece, but eyes that lack understanding to the reason he rise/Rather rose on the third, stopped him for a word to guide”. It lyrics like that which really make you stop and think.

Telescopes
Featuring Jon Hope & Lucky Dice; Produced by Statik Selektah
Damn, Statik Selektah keeps on supplying this heat on this album and drops his best beat on this song. This somber song is perfect with Reks and Jon Hope dropping rhymes about having hope and viewing like through telescope eyes to see farther and more than just what is in front of you in life. This song is something that could be played on radio and make the charts, but mainstream wouldn’t accept a great song of this caliber with such a strong message. It really sucks, but it’s reality that something has to be changed about that cause we need more songs like this to be heard instead of the newest track about money, cash, cars, clothes, and hoes. This is another one of my favorite songs on this album, matter of fact it’s my favorite track.

Day 2
Produced by Statik Seletkah
Once again Statik Seletkah provides a great beat for Reks to drop some intelligent and meaningful lyrics on. With this track Reks talks about relationships in how the first day might be bad, but the second day presents the opportunity for it to get better. Reks does a nice job in not presenting this track like a typical relationship/love song and going against the grain in terms of the topic.

Premonition
Featuring Termanology & Consequence; Produced by Statik Selektah
Wow, Statik is the man coming through with yet another nice track for this song. The mellow mood of the beat really compliments the verses from Reks, Consequence, and Termanology. They all do a great job in rhyming about starting your life over again from scratch and doing things differently the second time around. This is a nice track in regards to the theme of life reflection.

My Life
Featuring Paula Campbell; Produced by Blaze P
This time around it’s Blaze P who come back to bless Reks with a nicely produced piano driven beat. This is another life reflection type track from Reks with him talking about trying to figure out his life paired with a nice chorus sung by Paula Campbell. This track fits perfectly with mood of the previous few tracks.

Cry Baby
Produced by Statik Seletkah
This next song keeps that mood going along with Statik Seletkah providing yet another soulful background for Reks to spit his lyrics over. This song has the same vibe of Jay-Z’s “Song Cry” as Reks speaks about his mother giving birth to him at the age of 17 and the things she had to go through at such a young age. He also talks about his life as a child in growing up in a poor environment and the things surrounding him. Reks does a nice job of the interpolation of 2Pac’s song “Brenda’s Got A Baby” in the chorus that really sums up the song and makes it full circle.

Long While
Produced by 1914
This song, provided with a beat produced by 1914, sees Reks talking about meeting up with those he hasn’t seen in a long while and maintain relationships with the real people in his life. This is a nice song of Reks doing some reminiscing about his past experiences with friends.

Big Dreamers (Lawtown Remix)
Featuring Termanology & Krumb Snatcha; Produced by Statik Seletkah
This is a remix of the “Big Dreamers” track that is featured on Statik Selektah’s previously released album entitled Spell My Name Right: The Album. This is the B-Side of the “Say Goodbye” single. While I wasn’t too keen of this track on that album and thought it was no more than average, I’m feeling this remix better than the original. With new verses from Reks and Termanology, and the additional of Krumb Snatcha on the track, it makes this song that much better this time around than the first listen. All of the emcees on this track do a nice job in talking about having dreams and doing everything you can to make those dreams become reality.

Isiah
Produced by Demobeatz
This is Reks’ song in dedication to his song Isiah, which sees him talking about how his son and how he’s doing everything now to make sure his son lives a better life than he did. The beat produced by Demobeatz with the acoustic guitar and horns perfectly fits the tone and rhymes of Reks, and enables him to speak meaningfully and get his message across.

Pray For Me
Produced by Statik Seletkah
This song features production by Statik Seletkah, and while all of his beats on this album have been on point, I find this one to be average and a bit dragging. The beat gives this song a finale feel to it similar to Jay-Z’s “Hova Song (Outro)” that sees Reks just speaking his mind and clearly not caring what anybody has to say about it. He talks about his view on the current state of Hip-Hop and how things need to go back to the way they used to be with great music. The scratched vocal sample of Jay-Z’s verse from “Dead Presidents II” is a nice addition to the song.

Bottom Line:
While not many Hip-Hop listeners outside of the underground scene really know about Reks as an artist, I think this is the album to change all of that completely. Through the 20 tracks on this album, there is not a skip or filler track to be found throughout and is truly a complete listen all the way through. That is one sign of a great album when you don’t have to skip through tracks and can listen to the album from beginning to end. Not too many albums that I have listened to this year have that claim (including Lil Wayne’s Tha Carter III), so that fact alone makes this one of the best albums that has been released this year. If listeners and critics in regards to the mainstream don’t proclaim this as the Best Album of 2008, then this has to be the Best Album of 2008 in terms of underground releases. This album proves the point that many of the releases in the underground scene of Hip-Hop exceed most of the commercial/mainstream releases both in terms of lyricism and production values. Sadly, that fact hasn’t been recognized and this album and many others like it praised by the underground but ridiculed by mainstream will go underrated. This is one of the few albums that I have been referred to give a listen to and end up really like it. Again, major props to King Jerm in referring me to this album because with out it I probably would have missed hearing this album or heard about years later. Go out and cop this album seriously, it’s a true example of the real music that is missed in Hip-Hop today that needs to be brought back to the light.

nappyPicks: “Stages”, “Telescopes”, “Cry Baby”, “Day 2”, “Premonition”, ‘Say Goodnight”, “Black Cream (The Negro Epidemic)”, “All In One (5 Mics)”…JUST COP THE ALBUM!!!

Download: Reks feat. Bug Shug – “Black Cream (The Negro Epidemic)”