We haven’t dealt much with the 2009 BET Hip Hop Awards outside of the cyphers this year, but I can’t act like it didn’t happen. This year’s show was, performance wise, one of the worst. However, from a production standpoint and things of that nature, it was one of the best shows they’ve had. It did however, leave some questions burning in my mind.

1. Is Joe Buddens THAT good?
I’ve heard some Buddens stuff, I’m not going to act like I am well versed on that dude. However, I don’t remember a time that I was like THIS DUDE IS A PROBLEM. After his flow on the first cypher, I was left scrambling to get re-acclimated. He perked my ears with the Slaughterhouse album, but it still didn’t send me searching for his music. But now, the combination of the album and the cypher, I need to go back to ground zero and research dude, because clearly, there is more to him than I thought.

2. Has Nicki Minaj FINALLY found her formula for success?
Minaj gets more than her fair share of hatred and doubt. Those two attacks are pretty standard uniform for female emcees in the game. I’ve always liked her on the mic and that was BEFORE I saw what she looked like. The net seems to be hell bent with proving she’s got fake body and Weezy writes her rhymes but lets be completely honest here. Number one, sex sells. It has sold since there was a way to put a price on it. If you are in the entertainment biz, and you are female, chance are, you are going to go under the knife at some point or at least add some tracks, nails, or something man-made to your structure. Lets not crucify her for what may or may not have happened to her, but routinely happens in the business. Secondly, ghostwriting or flat out writing for someone else is regular in music. I understand that Hip-Hop puts paramount importance on authenticity, but at the same time, its music is a form of entertainment. When we get around those two formalities, her new animated delivery and flow along with the void in the game, may have finally put her in prime position to make her mark. I’ve often found myself on an island when I speak highly of Minaj, but even those that didn’t care for her too much saw the light after her cypher and recent verse on the remix of “5 Star Chick”. Hopefully, folks will pay attention to her “Killin’ these bitches, Mike Vickin’ it up.”

3. When is BET going to really bring back RapCity or at LEAST do a show called The Booth?
Cypher 3 featured Mos Def, Black Thought, and Eminem spitting some of the most “oh shit” worthy flows ever done on BET. With everyone being able to write down lyrics and drop an album on iTunes, we rarely get to see this side of the game from experienced emcees anymore. You may get some hotlines from them when they show up to the radio station, but rarely do you get emcees of this caliber on at one time, doing what they love. BET, you can reach me at  saulewright at gmail.com if you want to work on this idea. I’m just saying…

4. What about graffiti?
There are four or five elements of Hip-Hop, depending on who you ask. However, no matter WHO you ask, they will both name graffiti as part of it. It clearly has transitioned to a legitimate art-form to the masses, but it has also seemingly been neglected and ignored by what we know as the Hip-Hop culture. I’ve seen more cars, jewelry, and basket ball hoops in music videos than I’ve seen actual tagging being done. Again, BET, you can reach me at  saulewright at gmail.com if you want to work on THIS idea. I’m just saying…

5.What happened to the Emceeing part of Hip Hop?
Disclaimer: Little Brother nor the Justus League do not pay nappyafro.com for our support or anything similar to that kind of agreement. Now that that’s out of the way, have any of you seen Little Brother in concert? If not, YouTube them, they are a recent example of stage presence and what being an emcee is about. They are clearly cut from the same cloth as Big Daddy Kane, KRS-One, LL Cool J, Run DMC and other emcees that understand how rocking/moving the crowd is not just a hot lyric. The ability to put on a show doesn’t come with the signing bonus. The amount of underwear, crotch grabbing, pacing, etc. were at an all time high during this show while ability to perform was absent. I don’t know that I’ve been as unmoved or uninspired as I was with the collection of stage performances that happened at this show. I could go onto a number 6 being about having some excitable fans around the stage, but I think if the show is up to par, then the audience will show it, no matter how motionless they are.

So those are my questions, what are yours?

It’s that time again. More music is coming out and once again it’s up to your old friend B-Easy to round ‘em up. And thankfully this time it does not include Lil’ Wayne or Gucci Mane (Hey, just to change things up a bit). In this edition we have 50 Cent getting Norman Bates-like with Marshall, DJ Khaled calls some friends and gets fed up, and we get one foot out with Mike Posner. (*clicking through iPod and setting it to Hustle) Let’s get it.

Download: 50 Cent feat. Eminem – “Psycho”
Produced by Dr. Dre
Well, looks like Curtis’ Before I Self Destruct has sprung a leak almost a month before it’s scheduled release. And of course the first song I pick is the one that features Eminem with Dr. Dre on the boards.

Download: DJ Khaled feat. Usher, Young Jeezy, Rick Ross, & Drake – “Fed Up”
Produced by The Runners
By now you should know what a DJ Khaled posse cuts sounds like: Runners on the beat; Akon Usher, Weezy Drake, Ricky Ross, & Jeezy on the track. Hey, if it ain’t broke don’t fix it. Khaled’s Victory drops in 2010.

Download: Mike Posner feat. Big Sean & Freddie Gibbs – “Bring Me Down”
Produced by Block Beattaz
I just recently go into Mike Posner and what a good time since his second mixtape One Foot Out The Door just got released. Why did I picked this track? I fucks with Gibbs and Big Sean (Uh, you know what I mean). I ‘ll tell you what I think of Mike “Senior at Duke University” Posner another time.

You know most of us on the nappyafro Staff don’t usually do posts on Saturday right? But why the hell not? Especially when you get new music like this. First we got a CD quality version of Eminem’s “Taking My Ball” off the upcoming DJ Hero: Renegade Edition video game. Then we got three new songs from Drizzy Drake (Even though all sound like there works in process). “Say Something” is supposedly off Timbaland’s upcoming Shock Value 2, “Believe It Or Not” is with Gucci Mane, and “King Leon” solo. Sorry for just posting up songs and running without giving some award winning insight…but it is Saturday night. What do you want me to do?

Download: Eminem – “Taking My Ball”

Download: Timbaland feat. Drake – “Say Something”

Download: Gucci Mane feat. Drake – “Believe It Or Not”

Download: Drake – “King Leon”

More Than A Game tells the story of now NBA superstar LeBron James and his fellow teammates during their high school years at St. Vincent-St. Mary High School in Akron, Ohio. It follows the team’s journey of trials and tribulations to the eventual success of a high school basketball national title in 2003. With every documentary that depicts the story on film, there’s an equal telling of that story through music. 8 Mile had it with Music From And Inspired By The Motion Picture 8 Mile, Get Rich Or Die Tryin’ had it with Music From And Inspired By The Motion Picture Get Rich Or Die Tryin’, so it would only make since for a film as strong as More Than A Game to have one. The purpose of a film’s soundtrack should be to present the essential elements of the film and essential tell the story of the film without watching the actual movie. The soundtrack should make the listener feel as though they have seen and experienced the movie through listening. Both soundtracks to 8 Mile and Get Rich Or Die Tryin’ do a great job of this (the former more than the latter) and if listeners are hesitant to seeing More Than A Game with the fear of it being more Crossover and Like Mike and less The Basketball Diaries and Hoop Dreams, hopefully listening to this soundtrack will sway their decision.

1. Drop It Low
Ester Dean featuring Chris Brown; Produced by Polow Da Don
As the first track you hear on the album, you immediately get a bad feeling about listening to the rest. From the title of the song you could already get a feeling as to what this song is about and how it would sound. Featuring typical production from Polow Da Don, Ester Dean sings about dropping her booty low (original huh??) and a return of Chris Brown to the music scene after his incident with Rihanna. Given the story of the movie and how it looks to be, I don’t really see at all how this song relates or got included other than a commercial single for the young crowd to dance to.

2. Forever
Drake featuring Kanye West, Lil Wayne & Eminem; Produced by Boi-1da
A song that everybody should be well familiar with by now as it’s an official single for the album with an accompanying music video released last week. Boi-1da continues with his current streak in providing some bouncy production for all four emcees to deliver everything from average to stellar verses on. While Drake, Wayne, Ye drop good verses, the show is obviously stolen by Mr. Mathers who obliterates his verse with fantastic wordplay, precise delivery, and even flow switching to top it off. This was a quality selection to be included on this album.

3. King On Set
T.I. featuring Young Dro; Produced by The Smash Factory
A song from the self-proclaimed King of the South before his current jail stint that features fellow Grand Hustle member Young Dro dropping rhymes atop production from The Smash Factory that fit well the aforementioned rappers. A song that sounds like it could have fit on T.I.’s King album, features T.I. donning his fast flow while Dro take his time in defining the word “king” and how it applies to him. This track obviously fits LeBron more in present times with his “King James” moniker more than it did during his high school days.

4. Stronger
Mary J. Blige; Produced by Polow Da Don & Hit Boy
This time around Polow Da Don delivers much more meaningful production along with Hit Boy as they supply a beat for Mary J. Blige to deliver in classic MJB style. As one of the album’s official singles, this song perfectly fits with the theme of the movie of individuals standing together as one to over come struggles and hardships. This song truly gives you the feeling of the movie without having seen the preview beforehand.

5. History
Jay-Z; Produced by Kanye West & Kenoe
This song was previously released back in November ’08 around the time of Barack Obama’s election as President of the United States in which Jay-Z performed at the President’s Inaugural Ball. In regards to that event this song fittingly serves as Jay cleverly refers to “history” as his child after searching and finding his wife “victory”. Kanye and Kenoe provide a historic sounding backdrop for Jay to deliver inspirational verses on a song that fits well with the historic legacy left by LeBron and his teammates at SMSV.

6. Top Of The World
Rich Boy featuring Chili Chil; Produced by Rich Boy
After a few inspirational tracks, Rich Boy brings the energy back to the album with this self-produced track. Rich Boy’s beat is the trademark hard thumping southern production that suits him so well, as he delivers lyrics letting listeners know why he’s one of the young rappers in the game moving towards the top and why his gold selling debut album Rich Boy was no fluke. Chili Chil provides the hook on this track that makes the song complete and gives you a feeling of the fight and push within Lebron and his teammates during their quest of a national title.

7. I’m Ballin’
Soulja Boy Tell ‘Em; Produced by Hamsquad
Upon reading the song title and featured artist you should already know what to expect from this track. With production from Hamsquad that fits Soulja Boy Tell ‘Em’s typical style, he proceeds to drop lyrics concerning his economic status as the song title implies. Nothing really special with this track other than the fact that Soulja Boy and Gucci Mane are starting to sound like the same person on tracks with the identical flow/style, subpar lyrics, and limited content matter. Once again other than commercial purposes, I don’t really see why this track was included on this soundtrack, and it’s status serves more towards LeBron in his current status more than how he was during his high school days before endorsements and contracts.

8. We Ready
Ya Boy; Produced by Harvey Mason, Jr.
After the previous lacking track, this track brings things back up for the soundtrack featuring Ya Boy dropping lyrics in regards to being ready for the challenge and task at hand, which for LeBron and his teammates was obviously winning the national title. The production from Harvey Mason, Jr., who executive produces the soundtrack and produced the film, is done in fitting battlefield style that connects well with the song’s topic and the lyrics delivered.

9. Go Hard
Hayes; Produced by Jerome Harmon
Continuing with the theme of persistence and determination, Hayes delivers a track in motivational style about pushing on and not stopping when met with opposition. The track’s production from Jerome Harmon, who also contributed to “Venus vs. Mars” on Jay-Z’s The Blueprint 3, is a synth filled, organ driven beat that pushes and supplements Hayes’ lyrics and subject matter to a higher level.

10. Frozen
Jared Evans; Produced by Jared Evans
This track features artist Jared Evans both behind the mic and behind the boards as he delivers lyrics over subtle production about being stuck or “frozen” in a place of misfortune and adversity while trying to make it through. The track connects on a level with the movie and how the team must have felt when things just weren’t going as they expected or wanted them to.

11. If You Dream
Tank featuring Tyrese, Toni Braxton, Jordin Sparks, Omarion, Faith Evans, JoJo, Charlie Wilson, Tamar Braxton & Steve Russell; Produced by Harvey Mason, Jr., Durrell ‘Tank’ Babbs & J. Valentine
A truly inspirational song in terms of song topic/title, lyrics, and production, featuring an all-star casts of R&B/Soul artists to bring the album to a close. The piano driven production on this song perfectly match the topic of never quitting and giving up on your dreams to accomplish your goals in the end. This song is probably the best match on the album in terms of capturing the movie’s story and plot in a single song, and it does a great job in delivering that aspect. This song alone should make any listener eager to go see More Than A Game in theaters.

Bottom Line:
In terms of doing what a soundtrack is supposed to do in complimenting the film, Music Inspired By More Than A Game does that efficiently. While there were a couple tracks (“Drop It Low”, “I’m Ballin’”) that felt out of place and didn’t really relate to the film’s story, a good number (“If You Dream”, “Stronger”, “History”) of them conveyed that story with great results. Listening to this album gives you a feel and understanding of the trials and tribulations that LeBron and his teammates had to deal with on their way to the top in being the best high school basketball team in the nation in 2003. Those that continually hate on LeBron James as an accomplished NBA basketball player can truly see the passion, hard work, and dedication to the thing he loved most in the game of basketball and hopefully get a better understanding of everything that he overcame in the process to becoming one of the best rising stars in NBA history from his high school journey. The often sports related quote “there’s no I in team” is best exemplified with the More Than A Game documentary as it shows as a team they could take on the world and accomplish that which couldn’t be achieved individually. How basketball movies like Hoop Dreams, Sunset Park, Coach Carter, and The Heart Of The Game served as inspiration for those with dreams of one day making it to a career the NBA, More Than A Game continues that tradition for kids all over with posters of LeBron, Kobe, and Wade over their walls. Get to theaters and see More Than A Game as well as picking up this soundtrack even if your aspirations lay elsewhere other than basketball. This is a documentary and soundtrack that provides inspiration and motivation to dreams of all kinds.

nappyPicks: “Forever”, “Stronger”, “History”, “Top Of The World”, “If You Dream”, “Go Hard”, “King On Set”, “Frozen”

Download: Tank feat. Tyrese, Toni Braxton, Jordin Sparks, Omarion, Faith Evans, JoJo, Charlie Wilson, Tamar Braxton, & Steve Russell – “If You Dream”

The music video to the biggest song of the year has been released. And even though I don’t think music videos don’t hold the same weight as they did back in the day, this is still a good look (I mean they could have just put in LeBron highlights from high school and called it a day). My favorite part: Slaughterhouse standing behind Eminem (Of course).

Finally. All week the net has been buzzing about a new song that features Drake, Kanye, Weezy, & Eminem; “Forever”. It was scheduled to drop Friday but it here 2 days early. Also, sorry about the pic. I didn’t feel like cutting up anything including all the rappers on the song. And besides, the track is for LeBron’s movie, More Than A Game (Check out the trailer here). It just occurred to me that Wayne finally got to be on a song with Eminem…just to get out rhymed! All in all, everybody turned in a good performance. Produced by Boi-1da. If you want more about the story behind the song, check here and here. Update: Added Final/Mastered version

Download: Drake feat. Kanye West, Lil’ Wayne, & Eminem – “Forever”

Download: Drake feat. Kanye West, Lil’ Wayne, & Eminem – “Forever” (Final/Mastered)

I trust you read the title. Now that I have your attention…. Mixtapes. Mixtapes. Mixtapes. I love them as much as the next guy. Cheap, inventive, and it’s an avenue in many cases where artists can cut loose and do some amazing things. We’re in that day and age at the moment where it seems like mixtapes yield higher quality and are more anticipated than the actual album of an artist.

And that is a MAJOR issue.

I’m always hearing about how MC Such N’ Such [As much as I’d love to point out Gucci Mane for this example, I don’t feel he deserves the publicity.] is the truth on the 5 million mixtape variations he’s got out. Indeed, he might be deadly impressive on someone else’s beats or the cut of his verse from someone else’s track; but why do his albums suck so much? How come left to his own devices, powerhouse producers, and infinite features; his album is “okay” at best. Nothing more I hate than a hype train that takes me to a destination I’ve already been to over and over. Frankly, I’m tired of so many rappers nabbing “Best in The Game” statuses based off of mixtapes when they can’t bring it where it truly counts…the STUDIO ALBUM.

I think a lot of this frustration stems from how mixtapes are perceived. I’ll sum it up like this. Movies have trailers to get you amped for a film coming your way soon. They’re cut intricately and are designed to get your ass to the theater so you can drop that money down on the real deal, the actual film. The mixtape is an auditory trailer for the grand feature, I’ll repeat, the studio album.

So imagine when I see a trailer for a movie that should be awesome then I pay my money, sit down, and realize I’ve been duped into 100 minutes of straight bullshit. Of course I’m going to be mad. Same thing for mixtapes. You’ve showcased what you can do and you’ve got my anticipation up. The A&R’s have heard you and you got that label signing and the big album is due soon. Then it drops and for whatever reason, it fails on all accounts to live up to all this hype you bombarded me with prior.

Be honest with yourself as I ask you this question.

How many albums have lived up to the hype based on mixtapes not named Tha Carter 3? And even then, we have those wishing to debate the issue, given that Tha Carter 3’s anticipation had more heat than the oven door.

Used properly and distributed sparingly, mixtapes are an effective hype tool in preparation for what could be a quality album. As much hate as the man garners lately, much of it deserved, 50 Cent’s mixtape run before Get Rich Or Die Tryin’ was perfect. Just the right amount of street singles, freestyles, and showcasing to get everyone ready for an album that took the world by storm; and launched a career.

Another problem I’m seeing with mixtapes is over saturation. So many come out for an artist, it may be viewed as a waste to even worry about the album; especially in the case of track leaks being all over official and unofficial mixtapes. Let us not forget how just like the radio, TOO MUCH of an artist could easily lead to backlash.

Let us not forget that with mixtapes being a cheap alternative and less people willing to pay for music; mixtapes see more money than the actual studio albums and it’s the studio albums that keep your favorite rappers out of the “Where Are They Now” category. [See Gunnas, Young or Kwon, J]. The general populace treats the mixtape with the reverence and scrutiny that the studio album should get. I can ask the average Hip-Hop fan a release date on a mixtape and get solid answers; whereas they’re shocked half the time when an album drops. I repeat, you can spit hot fire like Dylan and have the world talking about you; if the studio album sucks, how good of an artist are they really?

Now, I’m not saying you’ve got to do Outkast numbers; or more recently, Wayne numbers. An album’s QUALITY is not always judged by how fast it flies off shelves. That proverb is as old as my I Declare War CD [Oh, the days when Pastor Troy claimed Augusta] and doesn’t look to change for the foreseeable future.

There are artists being victimized by mixtapes as well when the mixtape is all the fans will deal with. With sales declining across the board and leaks running rampant, now is the best time for artists to focus on creating quality studio works for the masses. Honestly, CD’s and legal downloading need a boost before it gets worse than it is now. I’ll be honest, if the CD is QUALITY, I’ll buy it.

It’s those buys that keep them making albums for the foreseeable future. How supportive are you really digesting every mixtape and downloading everything without giving something back to them to keep them in the game? I’m looking at the Slim Thug fans out there. Boss of All Bosses should have at least got that gold plaque, but I didn’t see anyone shying away from his quality mixtapes, which lead to a quality album.

Artists are getting released out of contracts due to declining sales and we the fans aren’t saving their chances of staying in the spotlight; yet we ask why they don’t get more mainstream love. The label could care less how many mixtapes they move. The STUDIO ALBUM keeps them afloat and the artist in the spotlight that you, as a fan, would want them to bask in. I just see an ass of no-wins involved, because I’m rarely seeing mixtape heavy-hitters with justifiable sales AND/OR quality studio work that was worth the hype.

On the heels of Mixtape Messiah 7 dropping, I’m just asking Hip-Hop fans to realize we have to put in what we take and be realistic about it. If the trailer rules and the movie sucks, the movie failed you. Same for music. Albums are original pieces of work that an artist will be judged by for years to come in terms of sales, quality, and overall staying power. I love them as much as the next man, but it takes more than these underground pieces of art to be considered among an elite crop of Hip-Hop standards.

We as fans deserve more than hype and you should demand more for your dollar and for your ears. While I’d never want to see mixtapes die, it’d be nice for someone to tell me how good someone’s album is in a debate; as opposed to me telling them how sorry an album was then them defending it with the latest mixtape that dropped.

Forgive me. I want more than bits and pieces, I want the whole thing. And as Eminem, Wayne, and possibly Drake are showing; we’re willing to pay for quality. Just don’t leave all that genius where it won’t count in the long run.

I know I ruffled a few feathers this week with my post about Eminem and him never being the GOAT. So I decided to bring a real GOAT out for this installment of Song of the Week. Yeah, I know I buried LL Cool J in a column, but that was coming from a fans perspective. LL used to be my favorite rapper and I hated to see him still hanging around past his prime (take notes Hov). Some of you got it twisted when I said Em wasn’t battle tested, you guys are thinking I meant he must be involved in a “beef” to make his legacy. NO, that isn’t what I meant, but every GOAT has had a battle that made their claim to the throne legit. LL is one of the most battle tested emcee’s out there. He came up in a time where battling was what you had to do. Some of you may not be old enough to remember his battles with Kool Moe Dee, but I can assure you that they were epic. For the record a battle isn’t one sided, a battle goes back and forth and there isn’t always a clear cut winner (ex. Jay vs. Nas). Enough about history, some of ya’ll think I don’t know my Hip-Hop just because I embrace Beezy and liked Deeper than Rap. Notice how everyone on the track brings their A game, even Erick Sermon was on his shit on the production! We have all heard this one, so I’m not wasting anymore time on talking about it..so enjoy this installment of Song of the Week!

Download: LL Cool J, Canibus, Method Man, Redman, & DMX – “4,3,2,1″

Yeah I said it. Eminem will never be looked at as the Greatest of all time. NEVER. This is not saying that he isn’t a good artist, because he is. I am just giving it to you straight, no chaser. Eminem has sold millions of albums, and has made millions of dollars, but one thing he will never be is the G.O.A.T. Why you ask? Look here and let me school you.

To be the best you have to battle the best. Eminem has ZERO rap battles under his belt. Everlast you say. EVERLAST? Even if we do count that one, where does that battle rank on your all time list? If he would have battled Everlast in 93-94 when House of Pain was popping, that would have been different. He took on a rapper turned country singer! Look at the list of people that Marshall has had public beefs with: Brittney Spears, Christina Aguilera, Elton John, Moby, Fred Durst, NSync, Backstreet Boys, Insane Clown Posse, Mariah Carey, Nick Cannon, Nelly, Benzino, the Source, and XXL. Don’t say Ja Rule either, that was a pile on and Eminem just jumped on top of it. Look at the list and show me some real competition. To be the man you have to beat the man, and by the looks of it Eminem likes taking shots at women.

I know some of you can’t wait to get to the end of this to call me everything EXCEPT King Jerm, but think about it, what makes Eminem so special? If he was a black rapper with the same exact lyrics, he would be CANIBUS. No one would care about him and he never would have been this successful. If you don’t think that his complexion has anything to do with it…you are CRAZY. Who would listen to a rapper talk ill of his mom, rap about abusing drugs, and killing people? NOBODY. The man has skills but I don’t see the big deal. Most rappers are battletested, Marshall isn’t, so let his record reflect that. He IS NOT and WILL NOT be the GOAT.

Wow. I mean when you are a married man and someone goes in on your wife…you have to say something. Now I know that Nick Cannon is not a formidable opponent for Marshall, but Nick did kind of throw gasoline on the fire. Shady and all of his antics are back on this one, and it looks like he’s taking a page from his lablemate here. “The Warning” is a fun track, but it does GO IN on Mr. & Mrs. Mariah Carey. All I have to say after hearing this one is that Nick better go and get a good ghostwriter for this one. You check it out for yourself. Why didn’t your boy Marshall go in on Ross? Scared?

Download: Eminem – “The Warning”